WA K E



To become cognizant or aware

Roused from a tranquil or inactive state

A path or course of a thing passed or preceded

Mourning the body of the dead

Keeping watch

Holding vigil



WAKE is ]performance s p a c e ['s curatorial project for 2017. A six month long programme of events exploring social consciousness, collectivity and division.


It is a call to action, to wake up. A vigil to remember what has gone before & a gathering to consider how we may move forward. Consisting of three strands, WAKE includes:



The Risings:

1 & 2




The Vigils:

Black, Rites, Earth & Sex




WAKE:

Festival




The Rising



The second edition of The Rising we will be teaming up with Live Art UK’s Diverse Actions initiative to extend & expand the opportunity available to artists. This Rising will include one week's studio residency to develop artistic practice, a platform event (Saturday 18th November) and a culminating week of professional development with guest lectures & sessions.


The Rising
give selected artists the time, space and required resources to try out new work and explore the edges of their craft.




The inaugural edition of The Rising launched the entire WAKE program and took place on the 17th of June during Folkestone’s Open Quarter weekend. See below for information on the artists platformed.



The Vigils




The Vigils are about holding space to think, reflect and act. A series of four performance events giving platform to the urgent thematics of Black, Rites, Earth and Sex. Events will take place from 7-10pm on the advertised date with a gathering to unpack the work the following day (times to be announced closer to each event).



Black:


Fuck You Pay Us (FUPU) is the white male patriarchy’s reckoning. It’s dressed in an all-Black, femme punk band, but it’s the war for reparations incarnate. FUPU does not represent the dame ol’ coy request for equality, it’s a declarative statement: we have BEEN understanding and humble to the point of detriment, so new rules - FUCK U PAY US and SUCK MY NAPPY BLACK PUSSY

Jade Montserrat studied at Courtlaud Institute of Art (2003) and Norwich School of Art and Design, MA Drawing (2010) and is a Stuart Hall Foundation PhD scholar at IBAR, UCLAN. Jade works at the intersections of art and activism, progressing through performance and live art, works on paper and interdisciplinary projects. Jade works collaboratively with Network 11, Press Room, the Conway Cohort and Rainbow Tribe: Affectionate Movement.

Salome Asega is a Brooklyn-based artist and researcher whose practice celebrates dissensus and multivocality...
Iyapo Repository is a resource library which houses a collection of digital and physical artifacts created to affirm and project the future of people of African descent. The collection is managed and developed through a series of participatory workshops where participants become archivists of a future history they envision.



Rites:


LEIBNIZ is a fluid Live Art collective composed of international artists with eclectic backgrounds in the visual and performing arts. The collective was co-founded by Ernst Fischer and Helen Spackaman in 2005 with the specific aims of: blurring the boundaries between spaces and disciplines; creating rituals and mythologies for a secular age; presenting innovative theatrical productions as social and interactive events; generating new audiences and assisting emergent artists.

Helen Spackman

Ernst Fischer



Earth:


Maria Lucia Cruz Correia’s artwork is mostly a response to environmental justice, often interdisciplinary involving scientists, activitsts and lawyers. Change takes center stage in her work by tackling utopian healing and proposing actions that merge clinical questions about human condition and inter connectivity benween natural world. Correia’s work is based on participatory articulations, by aiming social transformation, she creates her own platform of communal utterance for radical thinking. 

Nowhere Kitchen is a content and service provider of experience designs starting with food: one of the basic human elements of survival and the foundation of culture. Behind this concept is an improvisational methodology of ‘cooking with what is there’ inspired by the practice of renewing leftovers. It was initiated by Pepe Dayaw as an ethnography of crisis where he cooked impromptu dinners in different houses in Madrid in 2012 (Es Cena).

Ilya Noé is a former gymnast turned visual/performance artist-researcher, dissertation sufferer, compulsive walker, eager collaborator, sporadic teacher, occasional curator, and enthusiast of trees, fungi, deer, weeds, interintraspecies per-formation and co-becomings, mutualistic processes, declarations of interintradependence, taoist dialectis, slow research, messy theory, emergent practices, situated and partial knowledges, palimpsestuous realities and intellectual promiscuity.




Sex:


John Smith - when johnsmith was born, an atom was fired at two slits. The scientists were surprised to see that the singular atom/john behaved like a fluid wave, and appeared to flow through both slits at the same time. They wanted to look closer, so they fired the atom/john again and watched. Under the pressure of an audience, the atom/john started behaving like a particle again and chose one slit to go through.

Rocio Boliver is a Mexican performance artist who creates body art about the repression of women in Mexico. In 1992, Boliver began her career as a performance artist reading her porno-erotic writings. Boliver has a background in video and Mexican theatre. She worked in theatre projects, performance and contemporary art under the prominen playwright Juan José Gurrola from 1994 to 2007. Boliver has performed at a variety of venues such as museums, raves, universities and galleries.

Julie Tolentino creates intimate solo movement-based installations including her durational performances, sculptural endurance events & audio soundscapes. This Fall, she began a year-long artist residency & new performance for HMD 2017 Bridge Project in San Francisco on art & activism with four local artists: THE HARD CORPS. Tolentino’s research is centred on the movement based installation projects: THE VOIDS: On Earth, We Are Only Briefly Gorgeous & her archival project: The Sky Remains The Same.

W A K E




W A K E Festival is a three day festival of contemporary time-based/performance art in Folkestone (Kent), UK.
The festival consists of site specific, durational works which unfold in and around Folkestone, across the 8th, 9th & 10th of September. In addition to the site based works, each evening (7pm-10pm) a more condense series of performances take place at ]performance s p a c e [.



Sites:

Fri 8th - Sun 10th September 2017


Kira O’Reilly is a Helsinki based artist, her practice, both wilully interdisciplinary and entirely undisciplined, stems from a visual art background; it employs performance, biotechnical practices and writing with which to consider speculative reconfigurations around The Body. But she is no longer sure if she even does that anymore. Her art practice arcs across several contexts from art, science and technology to performance, live art and movement work.

Dominic Thrope is an Irish visual artist originally from Newbridge. He has shown work widely internationally and in Irleand, including at the irish Museum of Modern Art, Bangkok Cultural Centre Thailand, Xiamen University China, SASA Gallery Adelaide Australia, Temple Bar Gallery and the Galway Arts Centre. In 2014/15 he was the first artist in residence at the humanities department of University College Dublin.

Hancock & Kelly is the collaborative project of artists Richard Hancock and Traci Kelly. Since 2001, they have collaborated on a series of works questioning and provoking the gaps between subjects. Issues of materiality, value, and embodied knowledge have been pivotal to the complex critical and aesthetic dialogues they undertake. 

Carlos Martiel (born 1989, Havana). He lives and works in New York and Havana. He graduated from the National Academy of Fine Arts “San Alejandro” in Havana, 2009. Between the years 2008-2010, he studied in the Cátedra Arte de Conducta, directed by the artist Tania Bruguera. Martiel’s works have been included in: 57th Venice Biennale, Benice, Italy; Casablanca Biennale, Casablanca, Morocco; Biennial “La Otra”, Bogotá, Colombia; Liverpool Biennial, Liverpool, United Kingdom.




Friday Evening:

Fri 8th September 2017


Fausto Gracia - Performance art is for me a way to have a more realistic touch to everyday life and actions that are outside the structures of conventional life. One line of research of my projects has been the violance as a generator of encounters and focus areas. I believe the practice of art has the ability to deconstruct situations hegemonic realities in different ways, I think that art in itself, aware and responsible, is a tool for social and cultural action on the current discourse. 

Frank Homeyer - I develop my performance like a picture. Beginning with an idea or a subject I distribute the different elements in space and connect them with time to shape the performance. It is important for me to include autobiographical references and to leave an opening for change and improvisation in the process.

Anja Ibsch - In her work, Anja Ibsch characteristically tests her bodily limits, creating images that combine conceptual concerns with tasks of endurance or physical strength. For the audience, these images work to transform the way we view or understand the performer’s physical identity. Ibsch creates her work in response to the circumstances that present themselves, adapting to local environments and situations.


Saturday Evening:

Sat 9th September 2017


Rita Marhaug (1965) lives in Bergen. She holds a MA in Fine Art from Bergen Academy of Art and Design, KHIB (1989) and a BA in Art History from the University of Bergen, UiB (1996). Until July 2013 she was engaged as professor at KHIB, Department of Fine Art. Important tools of expression are printmaking, drawings, photography, artist books, video and perforamnce. Marhaug’s approach to performance is through the everyday language of the body and its physical dimensions.

Surya Tüchler develops her live performances site-specifically to the given context and focus to formal links to the environment. Materials are her starting point - covering and masking are her artistic tool. By connecting her body with natural materials she explores animalistic sides of her personality and physicality. Her way of climbing, moving and gazing communicates the quality of an unknown creature. Images emerge that oscillate between beauty and disgust.

Local Foreigner emerged in 2015 as a potential bridge across borders: between ways of being, lands and modes of relating to others. I’m interested in the potency of life, its intensity and resonance towards less oppressed and violent relationships. Merging trans-Shamanic-techno-folk, oral traditions, sounds, clothing and installation to create situations that can generate alternative views and feelings of collective life. 

Emilio Rojas - my most recent body of work deals with cultural hybridity, re-enactment, border trauma, tattoos as aesthetic wounds, decolonial de-linking, and survivorship. The work combines rigorous theoretical and historial inquiry, site specificity, and studio-based research practice. The work resulting from these inquiries innovatively combines performance, video, installation, stop motion, sculpture, workshops, drawing, writing and photography.




Sunday Evening:

Sun 10th September

selina bonelli - memory as the trace of the poetic within the words that distract us: I look at the memory and trauma - how it is processed by the body and how we make sense of it. By making images in the moment, I employ performance to explore the relationship between the incommunicable and the unspeakable. I am interested in the processing of anxieties where one reformulates them into motions and actions as a possibility of teasing out the inadequacies of language. 

Lala Nomada’s work process is based on the creation of ephemeral sculptural during her performances, which themselves do not just focus in the construction of the figure itself, yet also in the qualities of the analyzed situation/material, transmitting to the audience not just an image but also the interest on her contition and the material qualities, its sounds, weight, flavour and textures. Lala puts all her senses into the perception of the audience. 

Esther Neff is the founder of Panoply Performance Laboratory (PPL), a performative thinktank, collective making “operas of operations” and public site for live art in Brooklyn, NY.