2017
WAKE
2017
(original copy)
“To become cognizant or aware. Roused from a tranquil or inactive state. A path or course of a thing passed or preceded. Mourning the body of the dead. Keeping watch. Holding vigil.
WAKE is ]performance s p a c e ['s curatorial project for 2017. A six month long programme of events exploring social consciousness, collectivity and division.
It is a call to action, to wake up. A vigil to remember what has gone before & a gathering to consider how we may move forward. Consisting of three strands:
The Risings: I & II, The Vigils: Black, Earth, Sex, Rites and WAKE Festival.”
The Risings: I & II
The Risings: I
2017
Viviana Druga + Joseph Morgan Schofield + Orinta Pranaityte + Collette Patterson + Matt Mahony-Page + Giulia Mattera
(original copy)
“The Rising give selected artists the time, space and required resources to try out new work and explore the edges of their craft. The inaugural edition of The Rising launched the entire WAKE program and took place on the 17th of June during Folkestone’s Open Quarter weekend. See below for information on the artists platformed.”
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The Risings: II
2017
Sara Zaltash + Ria Righteous + Kajoli Ilojak
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“The second edition of The Rising we will be teaming up with Live Art UK’s Diverse Actions initiative to extend & expand the opportunity available to artists. This Rising will include one week's studio residency to develop artistic practice, a platform event (Saturday 18th November) and a culminating week of professional development with guest lectures & sessions.”
Image credits pending.
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The Vigils: Black, Earth, Sex, Rites
Images by Manuel Vason.
The Vigils: Black, Earth, Sex, Rites
2017
BLACK: Fuck U Pay Us (Uhuru Moor, Ayotunde Osareme, Jasmine Nyende & Tianna Nicole) + Jade Montserrat + Salmoe Asega - EARTH: Maria Lucia Cruz Correia + Nowhere Kitchen (Pepe Dayaw) - SEX: John Smith + Rocío Boliver + Julie Tolentino & Pig Pen (Stosh) RITES: LEIBNIZ (Ernst Fischer & Helen Spackman)
(original copy)
“The Vigils are about holding space to think, reflect and act. A series of four performance events giving platform to the urgent thematics of Black, Earth, Sex, Rites. Events will take place from 7-10pm on the advertised date with a gathering to unpack the work the following day (times to be announced closer to each event).”
Vigil - Black:
2017
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Vigil - Earth:
Vigil - Earth:
2017
Image by Manuel Vason.
Vigils - Sex:
Vigils - Sex:
2017
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Vigil - Rites:
Vigil - Rites:
2017
Image by Manuel Vason.
Video credit pending.
WAKE Festival
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WAKE Festival
2017
Carlos Martiel + Hancock & Kelly + Dominic Thrope + Kira O’Reilly + Esther Neff + Lala Nomada + selina bonelli + Emilio Rojas + Local Foreigner + Local Foreigner + Surya Tüchler + Rita Marhaug + Anja Ibsch + Frank Homeyer + Fausto Gracia.
(original copy)
“WAKE Festival is a three day festival of contemporary time-based/performance art in Folkestone (Kent), UK. The festival consists of four site specific, durational works which unfold in and around Folkestone, across the 8th, 9th & 10th of September. In addition to the site based works, each evening (7pm-10pm) a more condense series of performances take place at ]performance s p a c e [ (62 Tontine St.) on the Friday, Saturday & Sunday evenings.”
Sites:
2017
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Sites:
2017
Kira O’Reilly is a Helsinki based artist, her practice, both wilully interdisciplinary and entirely undisciplined, stems from a visual art background; it employs performance, biotechnical practices and writing with which to consider speculative reconfigurations around The Body. But she is no longer sure if she even does that anymore. Her art practice arcs across several contexts from art, science and technology to performance, live art and movement work.
Dominic Thrope is an Irish visual artist originally from Newbridge. He has shown work widely internationally and in Irleand, including at the irish Museum of Modern Art, Bangkok Cultural Centre Thailand, Xiamen University China, SASA Gallery Adelaide Australia, Temple Bar Gallery and the Galway Arts Centre. In 2014/15 he was the first artist in residence at the humanities department of University College Dublin.
Hancock & Kelly is the collaborative project of artists Richard Hancock and Traci Kelly. Since 2001, they have collaborated on a series of works questioning and provoking the gaps between subjects. Issues of materiality, value, and embodied knowledge have been pivotal to the complex critical and aesthetic dialogues they undertake.
Carlos Martiel (born 1989, Havana). He lives and works in New York and Havana. He graduated from the National Academy of Fine Arts “San Alejandro” in Havana, 2009. Between the years 2008-2010, he studied in the Cátedra Arte de Conducta, directed by the artist Tania Bruguera. Martiel’s works have been included in: 57th Venice Biennale, Benice, Italy; Casablanca Biennale, Casablanca, Morocco; Biennial “La Otra”, Bogotá, Colombia; Liverpool Biennial, Liverpool, United Kingdom.
Friday Evening:
2017
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Friday Evening:
2017
Fausto Gracia - Performance art is for me a way to have a more realistic touch to everyday life and actions that are outside the structures of conventional life. One line of research of my projects has been the violance as a generator of encounters and focus areas. I believe the practice of art has the ability to deconstruct situations hegemonic realities in different ways, I think that art in itself, aware and responsible, is a tool for social and cultural action on the current discourse.
Frank Homeyer - I develop my performance like a picture. Beginning with an idea or a subject I distribute the different elements in space and connect them with time to shape the performance. It is important for me to include autobiographical references and to leave an opening for change and improvisation in the process.
Anja Ibsch - In her work, Anja Ibsch characteristically tests her bodily limits, creating images that combine conceptual concerns with tasks of endurance or physical strength. For the audience, these images work to transform the way we view or understand the performer’s physical identity. Ibsch creates her work in response to the circumstances that present themselves, adapting to local environments and situations.
Frank Homeyer - I develop my performance like a picture. Beginning with an idea or a subject I distribute the different elements in space and connect them with time to shape the performance. It is important for me to include autobiographical references and to leave an opening for change and improvisation in the process.
Anja Ibsch - In her work, Anja Ibsch characteristically tests her bodily limits, creating images that combine conceptual concerns with tasks of endurance or physical strength. For the audience, these images work to transform the way we view or understand the performer’s physical identity. Ibsch creates her work in response to the circumstances that present themselves, adapting to local environments and situations.
Saturday Evening:
2017
video credit pending.
video credit pending.
Surya Tüchler photographed by Paul Samuel White.
Saturday Evening:
2017
Rita Marhaug (1965) lives in Bergen. She holds a MA in Fine Art from Bergen Academy of Art and Design, KHIB (1989) and a BA in Art History from the University of Bergen, UiB (1996). Until July 2013 she was engaged as professor at KHIB, Department of Fine Art. Important tools of expression are printmaking, drawings, photography, artist books, video and perforamnce. Marhaug’s approach to performance is through the everyday language of the body and its physical dimensions.
Surya Tüchler develops her live performances site-specifically to the given context and focus to formal links to the environment. Materials are her starting point - covering and masking are her artistic tool. By connecting her body with natural materials she explores animalistic sides of her personality and physicality. Her way of climbing, moving and gazing communicates the quality of an unknown creature. Images emerge that oscillate between beauty and disgust.
Local Foreigner emerged in 2015 as a potential bridge across borders: between ways of being, lands and modes of relating to others. I’m interested in the potency of life, its intensity and resonance towards less oppressed and violent relationships. Merging trans-Shamanic-techno-folk, oral traditions, sounds, clothing and installation to create situations that can generate alternative views and feelings of collective life.
Emilio Rojas my most recent body of work deals with cultural hybridity, re-enactment, border trauma, tattoos as aesthetic wounds, decolonial de-linking, and survivorship. The work combines rigorous theoretical and historial inquiry, site specificity, and studio-based research practice. The work resulting from these inquiries innovatively combines performance, video, installation, stop motion, sculpture, workshops, drawing, writing and photography.
Sunday Evening:
2017
Esther Neff photographed by Paul Samuel White.
Lala Nomada photographed by Paul Samuel White.
selina bonelli photographed by Paul Samuel White.
Sunday Evening:
2017
selina bonelli - memory as the trace of the poetic within the words that distract us: I look at the memory and trauma - how it is processed by the body and how we make sense of it. By making images in the moment, I employ performance to explore the relationship between the incommunicable and the unspeakable. I am interested in the processing of anxieties where one reformulates them into motions and actions as a possibility of teasing out the inadequacies of language.
Lala Nomada’s work process is based on the creation of ephemeral sculptural during her performances, which themselves do not just focus in the construction of the figure itself, yet also in the qualities of the analyzed situation/material, transmitting to the audience not just an image but also the interest on her contition and the material qualities, its sounds, weight, flavour and textures. Lala puts all her senses into the perception of the audience.
Esther Neff is the founder of Panoply Performance Laboratory (PPL), a performative thinktank, collective making “operas of operations” and public site for live art in Brooklyn, NY.
2017
RCA Group Action at ]ps[
2017
Ash McNaughton + Ro Hardaker + Matt Mahony-Page + Helen Davison + selina bonelli
A group of RCA graduates were invited to occupy the ]ps[ folkestone site. They present a group action across multiple hours.
video credit pending.
selina bonelli, photographer credit pending.
Matt Mahony Page, photographer credit pending.
Helen Davison, photographer credit pending.
Ash McNaughton, photographer credit pending.
